| exhibition archive The Discerning Eye Exhibition 2005 14th exhibition ~ 17 to 27 November 2005 'discerning - adj. having or showing good judgement or good insight' (OED)Well, that is indeed a definition to live up to and if, after looking at the 90 or more works of both invited and selected artists in my section, the viewer still feels able to agree that it has been displayed here, then I will be more than delighted. What they may then be able to discern about the choices and decisions in a selection which would seem (even to me!) to cast a very wide net indeed, would seem rather harder to pin down. For a critic in a very exposed position like this perhaps a few words of explanation may be allowed before the works are allowed to speak for themselves. First is the observation that, having trained as an academic art-historian some four decades ago and then gone straight into teaching in art schools, my best teachers have always been artists themselves - it was only too easy to forget sometimes at the Courtauld Institute that art is not just some abstract, intellectual and historical activity but something actually conceived and then made by artists. And it is through my friendships and associations with artists also, that most of the things I really value in my life - poetry and music, as well as art itself, has finally come. They have taught me, first, of the close interconnectedness, in form and intention, of these three arts in particular and if there is any one quality that all the pieces here share, whether abstract or figurative, painting, sculpture or drawing, it is the way in which the poetic and the musical can so vitally inform the visual. The other fundamental lesson they have taught me is that artistic thought is essentially circular in character, an intuitive activity that, through close concentration given both to the world of visual phenomena and the medium through which the perception is to be given physical form, short circuits the essentially linear character of the verbal, academic culture within which we largely live and act. It's what can make art, any art, hard, at first, to come to terms with and then so exhilarating when finally we give ourselves up to it. Because, only then, do we become fully conscious in, and of, the world in which we find ourselves. | 6/1 | Distant horizon, blue haze | £350 |
| 6/3 | Landscape: Callian | £750 |
| 6/6 | Double summertime: falling cone with small forms | £580 |
| 6/7 | Traces: mirrored II | £580 |
| 6/8 | Double summertime: spider | £580 |
| 6/9 | Summer meadow, Monet inspired | £135 |
| 6/12 | Sea cliff and rainbow | £480 |
| 6/14 | Jonah and the whale I | £550 |
| 6/15 | Jonah and the whale II | £550 |
| 6/16 | Jonah and the whale III | £500 |
| 6/17 | Sea and beach with red pebble | £500 |
| 6/21 | From a series 'Last Conversations', 2003-4 | £1,600 |
| 6/22 | From a series 'Last Conversations' | £1,400 |
| 6/23 | From a series 'Uccelli', 2003 | £1,200 |
| 6/24 | From a series 'Uccelli', 2004 | £1,100 |
| 6/26 | Towards Dreamland | £850 |
| 6/29 | Kissing flowers: pensosa | £1,000 |
| 6/30 | Kissing flowers: schiudersi - to open (reflexive) | £800 |
| 6/31 | Kissing flowers: scintillarsi - to sparkle (reflexive) | £800 |
| 6/32 | Kissing flowers: scendersi - to fall (reflexive) | £800 |
| 6/35 | Monkey business I | £1,200 |
| 6/39 | Still life with fish | £625 |
| 6/45 | Fort Knox CXB, 2004 | £650 |
| 6/51 | Study for monument I | £1,000 |
Sonia Lawson RA, RWS, Hon RWA | 6/53 | Birds of Pompeii | £2,900 |
| 6/56 | Samalaman Beach, Glenuig | £800 |
| 6/59 | Beginning of the eclipse | £300 |
| 6/60 | Ascension, 2004 | £2,500 |
| 6/61 | London, Trafalgar Square, 2000 | £700 |
| 6/62 | Monumento a Viani, May 1998 | £700 |
| 6/65 | A few lilies blow free, 2004 | £350 |
| 6/68 | Seagull and tree | £2,300 |
| 6/69 | The yellow bird | £2,300 |
| 6/71 | Waiting for the romance | £995 |
| 6/79 | The ecstasy of St T, 2005 | £400 |
| 6/80 | Tuscan tower, 1999 | £450 |
| 6/81 | Cries and whispers, 2002 | £450 |
| 6/82 | Lighter than air, 2005 | £500 |
| 6/83 | Views of Rome V, 1999 | £500 |
| 6/89 | Blossom and praise | £600 |
| 6/91 | Night after night | £600 |
| 6/94 | Book, stone, leaf | £775 |
| 6/95 | Whale, leaves, petal, knot, vessel | £850 |
| 6/96 | Wheel, cloud, bone, net, stone, leaf, bowl | £825 |
| 6/97 | Cloud, shoe, bone, leaf, blade, wing | £850 |
| 6/98 | Grim death has stolen all my good away | £195 |
| 6/100 | Husband and wife testing his strength | £950 |
| 6/101 | Husband and wife showing confused motives | £950 |
| 6/111 | Star and stars | £1,600 |
| 6/113 | Cambridge rower #1 | £110 |
| 6/114 | Cambridge rower #2 | £110 |
6/12 6/30 6/34 6/48 6/67 6/82 6/88 6/94 6/100 Copyright © 2002-2010 The Discerning Eye ~ Web site by Shepperton Software |