Anne Robinson

Anne Robinson

For those like me for whom no detail is too small, let me set the scene.

We six selectors met on a cold wet day last September. We were positioned behind two trestle tables in a grim basement below Carlton House Terrace and asked to decide what tickled our individual fancies.

But lo! into the gloomy setting God shone a light. The works, a staggering 2000 of them, were presented to us by half a dozen quite dazzling young men, all artists themselves. The two, incidentally, with the most shapely arms and torsos (displayed to excellent effect beneath their tight T-shirts) turned out to be sculptors. I hadn't before appreciated this is one form of artistic endeavour that makes going to the gym redundant. As the Welsh say: every day is another day at school.

Anyway, the bonus of male beauty apart, much of the art was a joy and quite often two or three of us would be trying to bag the same picture. Indeed, when my fellow panelist Mark Lawson noisily absented himself (Mark does most things noisily) for a couple of hours to interview Andrew Lloyd Webber, I helpfully chose a photograph of a fish on a woman's backside on his behalf.

Foolishly, in my view, he was having none of it when he returned. So sadly the lady and the trout do not appear in his list.

For my invited contributors I mostly picked young artists. And as I played judge and jury two things struck me. First, what a vast amount of unsung talent there is out there. And second, to this trader's daughter, how sweetly uncommercial the youngsters were. "Call it Netting Hill," I urged one of them with an untitled work, "it will walk out the door in seconds." At this point my husband Penrose, who has a very decent eye for a picture, could be heard harrumphing in the background.

But Penrose must have taught me something. At last year's Discerning Eye we arrived on the opening night at different times. When we met up and agreed to take each other to view our favourite work in the show, it was hardly a long hike. Unknowingly, we had chosen the same artist. Not, however, the same picture. We bought both.

Cheryl A Aaron

3/1Foxy Lady£925

Samira Abbassy

3/2Garden of Rebirth£865

3/3Holographic Mirror£675

3/4St Anthony's Bird£885

3/5Consuming Fire£785

Karen Adams

3/6kill Time£150

Dino Alfier

3/7Floating£400

3/8Near Circle£400

3/9Overlap£400

3/10View£400

Keiko Asahina

3/11The City #1£690

3/12The City #2£690

3/13City Walker£390

3/14Desire£390

H S Ash

3/15Emily£450

Denis C Baxter

3/16Pensford's Monumement to the Days of Steam£135

Akash Bhatt

3/17Withdrawn 2£680

Janet Christie

3/18Fragment£350

Chalkie Cloonan

3/19Crystal£600

Anne Cloudsley

3/20Untitled I£400

Mei An Collier

3/21Miniature Origami Bird, folded using two pins as tools and no magnification£125

3/223 mm x 3 mm of Cigarette Paper with 17 folds on the head of a pin£80

3/23Landscape 1£190

3/24Human Hair inlayed into modelling wax using a needle as a tool and no magnification£280

Marina Cooper

3/25Athina£1,200

Polly Courtin

3/26White Cloth from Elba I£900

Martin Cox

3/27Homes£970

Justin Dempster

3/28Sitting Dog£2,500

Caroline Edwards

3/29Untitledl£150

David Eustace RBA

3/30The Milk Race£800

James Fergusson

3/31Untitled£780

3/32Untitled£780

3/33Untitled£780

3/34Untitled£780

3/35Untitled£780

3/36Untitled£780

Hilary Frew PRBS RBA

3/37It's Mary in the Hat£3,800

David Gould

3/38Glide£750

Sean Hall

3/39Are my Shoes Art?£250

Charles Hardaker

3/40Object on a Shelf£750

Pauline Harding

3/41Water Rat£350

Andy Humber

3/42Small Collapsing Table£500

Rachel Jordan

3/43Red & Green Weave£385

Philippa Karakashian

3/44Offshore I£180

3/45Offshore II£180

3/46Offshore III£180

Brendan Kelly

3/47James Lloyd£1,450

Chris Kenny

3/48Twelve Books£1,100

3/49The Eyes of Birds£550

3/50Below 3000 Fathoms£385

3/51Mighty Fortress£700

Terry Kubecki

3/52Enclosed£145

lan Layton

3/53Hot Food Vendor£1,000

Selwyn Leamy

3/54Holy Trinity, Sloane Square£2,000

3/55Christ the Good Shepherd (St Mary's Bourne St)£2,000

3/56St Michaels, Chester Square£2,000

Sasha Leech

3/57Another Age£500

3/58Dancing Without Music£500

Helen Lindon

3/59Equilibrium 3£220

Ruth Manfield

3/60Single Unit£320

Ashton Marquis

3/61Nude 6 - Shade of Grey£450

Tiziana Mazzoli

3/62One Lily 2004£2,000

3/63The Broken Lily 2004£1,500

3/64The Lost Lilies 2004£1,000

3/65Two Lilies 2004£1,000

Julie McDermott

3/66The Chicken Army£640

Jennifer Merrell

3/67Pink Bra£350

Kathleen M Moreton

3/68Spanish Dancers£325

Ronnie Nixon

3/69Daybreak£650

Anne-Catherine Phillips

3/708/12 Standing Ladies£400

Louise Riley-Smith

3/71Female Nude£400

Jane Skead

3/72Conversation 1 - 2£250

3/73Conversation 2 - 4£250

June Elizabeth Skinner

3/74Last Dawn£295

Richard Spare

3/75Dancing Dog£150

Damon A Summersgill

3/76Bamboo£350

Alastair Taylor

3/77Bicycles - Tokyo£820

Patricia Theodorou

3/78Coliseum, Early Morning£395

3/79Aldeburgh, Walking the Dog£325

Jenny Vouilioz

3/80Deluge£395

Judith Waters

3/81Nude£400

3/82Red Skirt£400

3/83Centre Jour£375

Matthew Webber

3/84Untitled (Treeline ORY/2)£495

3/85Untitled (Treeline GL/2)£495

3/86Untitled (Treeline CW/2)£495

3/87Untitled (Treeline MT/2)£495

David Whitaker

3/88Pyramid£1,200

3/89Eruption£1,200

3/90Eclipse£1,200

Toby Wiggins

3/91Jack£1,750

Penny Wools

3/92Mesange£475

 

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3/1

 

3/16

3/16

 

3/22

3/22

 

3/47

3/47

 

3/56

3/56

 

3/67

3/67

 

3/70

3/70

 

3/92

3/92