exhibition archive
The Discerning Eye Exhibition 2001
10th exhibition ~ 16 to 25 November 2001

Quentin Willson

Quentin Willson

Once, when excitedly showing a Hockney sketch to a macho mate, I rashly confided to him that some of my best friends were pictures. He arched an eyebrow and suggested that I really should get out more. Telling someone who wears his Aston Villa shirt to bed that collecting pictures is compelling, narcotic and exciting was like explaining my hobbies to a pillar-box. He couldn't understand why an otherwise normal, red-blooded male, could possibly be a card-carrying, 22 carat, Ronsealed, art junkie. And that's why, when The Discerning Eye kindly asked if I'd be prepared to choose my favourites from 1300 works of art, I hesitated for an entire nanosecond. The experience was like being hand-fed with warm chocolate eclairs. I spent a blissful day enjoying, admiring and considering hundreds upon hundreds of oils, watercolours, sketches and sculptures.

A compulsive collector, my walls strobe with strident Warhols, Lichtensteins, Hepworths, Rileys and Rauschenbergs, and that's probably why so much of my selection is abstract. Challenging or obscure images are more fun because they ask more of you. But before I end up in pseuds corner, I must admit I'm no expert, far from it.

What little I know about art, I've gleaned from galleries, auctions, books and talking to dealers. And that's the great thing about art, its much more accessible than most people think.

We're all art critics it's just that only a few of us write our thoughts down. Everybody has the innate ability to judge a work of art, but most people don't because they're afraid of getting it wrong. But there's no wrong or right to judging art, it's entirely personal and subjective. It's the act of simply looking that's important. Which is why The Discerning Eye is such a good thing. Most of the artists are total unknowns, so you won't have to worry about any baggage from art critics. Just look at the image and see if it moves you.

I hope you enjoy my selection and take a little time to think about the less conventional works. Better still why not buy one, or even two? I'm certain a few of the gems I've chosen will, in time, double, triple and even quadruple in value. And that's another bounty of being able to appreciate and collect art. Pictures can make great pensions. My macho friend may have sniggered at my fascination for art, but ten years on he's no longer laughing. You see, my little Hockney sketch is now worth the price of a shiny new Jag.

Stella Ahmed

4/1Pafus, Heat Haze£200

Andy Barker

4/2A Copse Cops it! (After Constable)£1,575

Frank Bentley

4/3Midgehole Harbour£275

Jacki Biddulph

4/4Ephemeral£175

Alex Calinescu

4/5November 2000, No VI£600

Delia Cavers

4/6A Congregation of Cherries£325

Clare Chinnery

4/7Quest Next Tomorrow, 2000£250

David Cottrell

4/8Standing Figure£380

Adam Dicks

4/9Tonys£329

Judith Dobie

4/10Path by the Trout Ponds£300

Miriam Dokotliver

4/11E for I Spy£345

4/12British made£345

Natalie Dower

4/13Flight of the Coloured Line£550

John Dowling

4/14Thames IV£640

Suzy Fasht

4/15Winter Beds£330

John Foster

4/16St Ives in January£600

John Goddard

4/17Dark House£300

4/18Reading the Paper£300

Valery Gridnev

4/19Spring£3,800

Rachel Hazell

4/20About Books: Mute Pages£82

4/21About Books: A Long Narative£89

Eileen Hogan

4/22Shoreline I£490

Linda Hubbard

4/23Cold Water Crust Raised Meat Pie£1,000

Cedric Huson

4/24Warm Interior£900

Frank Jennings

4/25The Rebel£1,000

Myfanwy Johns

4/26Repeat No 2£400

Zara Matthews

4/27Girl II£890

Melanie Miller

4/28Found Objects: Soldier and Tulips£450

Arthur Neal

4/29Red Nude£1,250

Tom Palin

4/30Lamp Light£850

Julian Perry

4/31Flooded Orchid Trail£2,500

4/32Newt Pond£2,500

4/33Tree Top Walk£2,500

4/34Landscape with Arm Rests£2,500

4/35Kingfishers Railway Sleepers£2,500

4/36Extensive Landscape and Notice Boards£2,500

Geoffrey Robinson

4/37Prelude in Common Time III£300

4/38Trio IV£400

4/39Seaside Polyrhythms III£400

4/40Martha's Jug£400

4/41Pat's Red Table and a Pear£400

4/42Refugee Woman with English Still Life£550

Francesca Shakespeare

4/43Figures on Rocks£250

Colin Slee

4/44Castle£500

A John Stockton

4/45Beyond the City£130

Duncan Swann

4/46Truck Stop£580

Anthony Richard Tiffin

4/47The Staircase£800

Phil Tyler

4/48Floorboards£350

Ann Ward

4/49Manse Lane I£175

Roy Willingham

4/50The Conditional Reality of Surface - No IV St Oronzo Square£795

4/51The Conditional Reality of Surface - No VII Station Square£795

Lee Wright

4/52Small Things Bad£320

 

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