When this exhibition was first devised, it was prompted by the slight regard given to small works of art which were usually relegated by galleries to inaccessible corners. This was all the more curious because many artists suffered by the perceived need to enlarge ideas to a point damaging to the image in relation to its conception. Far from being satisfying or a delight to the eye, the work became pretentious to suit gallery demands.

It was Brian Sewell who drew attention to the other side of the coin – the buyer. Without whom there would be precious little art. The small size would give collectors with already well-filled walls the chance to aquire the odd three or four pieces that might be fitted in to complement their existing collection while anything larger would be just too much of a good thing.

Then there was the new buyer, trying out the idea of art at home, perhaps with vague thoughts of being a modest collector. Small works mean small prices which is the best way to start.

For my selection I have tried to pick beautifully made work, leaving the question of 'art' up to the discerning eye.

 

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